In Realia, Michael Trussler grapples with the black fire of mental illness, revels in the joy inherent to colours, and probes what it means to be alive at the beginning of the Anthropocene. Perfectly clear, perfectly opaque, Trussler's poetry implodes the lyric to channel the bright disintegration of our contemporary moment. These are poems requiring Jonah and Little Red Riding Hood to change places if we are to measure diagnostically homeless oceans, surveillance capitalism, and the vulnerable human body. Shambolic and precise, these poems are unskinned. Including a mini-essay on the author's OCD and another on how a Caspar David Friedrich painting is an uncanny neighbour to ourselves, Realia is fluent in mitochondrial psychology and the diaries of Katherine Mansfield. It also offers lessons in extinct Barbie Doll arrangement.